Below is a list of organ pieces commonly used in traditional Christian weddings. Each one sounds beautiful on the organ and fits the joyful and reverent tone of a worship service.
1. Bridal Party Entrance (Processional for attendants and groom)
These pieces work well as preludes to the bride’s entrance.
- “Trumpet Tune” – Henry Purcell
Festive and regal; sets a joyful but reverent tone. - “Rondeau” – Jean-Joseph Mouret
Bright and ceremonious. - “Jesu, Joy of Man’s Desiring” – J.S. Bach
Flowing and gentle, perfect if the couple wants something sacred and lyrical. - “Canon in D” – Johann Pachelbel
Still one of the most-requested; works nicely on organ. - “Prince of Denmark’s March” (Trumpet Voluntary) – Jeremiah Clarke
Majestic and familiar, great for bridal party entrances.
2. Bridal Entrance (Bride’s processional)
These pieces work well for the bridal entrance.
- “Bridal Chorus” (“Here Comes the Bride”) – Richard Wagner
The traditional favorite; often used in LCMS weddings though pastors sometimes confirm its use since it originated in an opera. - “Trumpet Voluntary” – Jeremiah Clarke / Purcell
A noble alternative for those who prefer not to use Wagner. - “Canon in D” – Johann Pachelbel
Can be used either for the wedding party or the bride herself - “Trumpet Tune in D” – Henry Purcell
Joyful, festive, and unmistakably wedding-appropriate. - “Air” from Water Music – G.F. Handel
A graceful, flowing option if the couple wants something more subdued.
3. Recessional (Walking Out / Postlude)
These pieces work well for the bridal party recessional.
- “Wedding March” – Felix Mendelssohn (from A Midsummer Night’s Dream)
The classic recessional, almost universally recognized. - “Hornpipe” from Water Music – G.F. Handel
Lively and bright, perfect for a joyful exit. - “Trumpet Tune” – David N. Johnson
A mid-20th-century favorite - “Allegro Maestoso” – G.F. Handel (from Water Music)
Another festive and stately choice